Robert Newton takes on the Charles Laughton role in this re-make of Vessel of Wrath. He's the drunk in South Seas who a missionary (Glynis Johns) tries to reform. It's fun and is probably director Muriel Box' most popular film.
Script adapt.: Sydney Box. (o.a. W. Somerset Maugham)
Director: Muriel Box
Players: Paul Rogers, Donald Sinden, Michael Horden, Donald Pleasence, Walter Crisham, Auric Lorand, Tony Quinn, Ah Chong Choy, Ronald Adam
Teenager Gillian Hills goes wild in the coffeehouses of Soho and dad David Farrar has no idea how to handle her.
The usual hysterical nonsense given a kick by the great music.
Script: Dail Ambler
Director: Edmond T Greville
Players: Christopher Lee, Noelle Adam, Adam Faith, Shirley Ann Field, Peter McEnery, Claire Gordon, Nigel Green, Delphi Lawrence, Oliver Reed, Carol White, Christina Curry, Pasqualine Justana
A bunch of ne'er-do-wells double cross each other over some uranium mines.
Though it's all a bit too in-jokey for some, the cracking cast of Hollywood stars deliver some quirky entertainment.
Script: Truman Capote, John Huston
Director: John Houston
Players: Humphrey Bogart, Jennifer Jones, Robert Morley, Gina Lollobrigida, Peter Lorre, Edward Underdown, Ivor Barnard, Bernard Lee, Marco Tulli, Mario Parroni, Alex Pochet, Aldo Silvani, Manual Serano, Guilio Donnini, Saro Urzi, Juan de Landa, Mimo Poli
Stewart Granger is the fop with the hots for Liz Taylor. An entertaining romp through Regency times.
Script adapt.: Karl Tunberg. (o.a. Carl Fitch)
Director: Curtis Bernhardt
Players: Robert Morley, Peter Ustinov, James Donald, James Hayter, Rosemary Harris, Raul Rogers, Noel Willman
In order to catch their partners cheating, two people follow them to a country retreat but are forced to pretend they're a couple when misunderstandings arise.
The stage farce struggles with the new talkie equipment but does provide some laughs. The highlights are a silly dance with Ian Wilson and Alf Goddard, and Jane Baxter in her underwear.
One of the films retrieved by the Missing Believed Lost hunt.
Script adapt.: H Fowler Mead. (o.a. Frederick Witney)
Director: Walter Forde
Players: Jane Baxter, Richard Cooper, Sari Maritza, David Hawthorne, Alf Goddard, Cyril McLaglen, Muriel Aked, Frederick Volpe, Ruth Maitland, Mike Johnson, Ian Wilson, Matthew Boulton, Alexander Gilletto
Margaret Lockwood is the perfect housewife who's already killed three husbands and is getting ready to bump off number four.
A rare instance of an American-set novel being adapted for an English setting. Dross it may be, but it's fun dross.
Script adapt.: (o.a.) Vera Caspary, Herbert Victor, Isadore Goldsmith, Moie Charles, Roy Ridley
Director: Lance Comfort
Players: Anne Crawford, Ian Hunter, Barry K. Barnes, Jill Esmond, Julien Mitchell, Louise Hampton, Kynaston Reeves, Barbara Blair, John Salew, Beatrice Varley, Olga Lindo, Ellen Pollock, Vi Stevens, Al Gold & Lola Cordell
It always seems like a great script idea - why not strand our heroes in a land dominated by women! That way you can have fun with contemporary morality, hold a distorting mirror up to society and have lots of lovely ladies wandering around in next to nothing. It's a sure-fire recipe for a cinematic hit.
Yet every time it's been tried, it's produced a stinker. Think of Zsa Zsa Gabor as Queen of Outer Space or its British equivalent Fire Maidens From Outer Space. How about It's Great to be Alive which put the major Hollywood studios off science fiction for twenty years. Add Bees in Paradise to this list of disasters.
A plane crew (Arthur Askey, Peter Graves, Max Bacon and Ronald Shiner) are forced to crash on an uncharted island. The colony is ruled by Antoinette Cellier, but there's trouble in Paradise Island. The men are refusing to do their duty because they are killed after a couple of months of marriage, and the population is dropping alarmingly. The arrival of four relatively healthy men who don't know the rules stirs up the colony.
Chunky Anne Shelton has the hots for Arthur, but he's more interested in Jean Kent. She, on the other hand, gets involved with ... oh who cares! The plot is ghastly, the jokes fall flat and the songs stink. Most of the people involved in this turkey were part of the sparkling Miss London Ltd a year earlier. So why did this fail so totally?
It must be the Curse of the Amazon Women. After congratulating themselves for coming up with such an "original" idea it seems everyone gave up trying. Arthur Askey suffered most from this stinker and didn't film again for about ten years. Anne Shelton didn't fare much better.
The only thing in favour of this film is that it's forgettable. Most of the people involved with it would rather you did forget it, or, if it's not too late, avoided it all together. So, if it comes up on telly, do yourself and them a favour and switch off.
Script: Marriott Edgar, Val Guest
Director: Val Guest
Players: Joy Shelton, Beatrice Varley, Joy Millan, Patricia Owens.
A blackmailing blonde is murdered and rival reporters battle to break the story ahead of the police and each other.
It's an interesting enough programmer enlivened by the presence of Adrienne Corri and Hazel Court as rivals for the affections of Paul Carpenter.
Script adapt.: Allan Mackinnon. (o.a. Robert Chapman)
Director: Charles Saunders
Players: Paul Carpenter, Adrienne Corri, Hazel Court, Alfie Bass, Ewen Solon, Harry Fowler, Trevor Reid, Olive Gregg, Marianne Brauns, Gaylord Cavallaro, Marian Collins, Sandra Colville, Tom Gill, Magda Miller, Arthur Rigby, Colin Rix
Hapless idiot accidentally joins the navy and uncovers a nest of spies.
Below par Formby vehicle.
Script: Peter Fraser, Edward Dryhurst, John L Arthur
Director: Marcel Varnel
Players: Ann Firth, Reginald Purdell, Peter Murray Hill, Charles Farrell, Eliot Makeham, Manning Wiley, Hugh Dempster, Dennis Wyndham, Jane Welsh, Peter Gawthorne, Felix Aylmer, Ian Fleming
Mary Ellis is the bored housewife out East who falls for sinister Conrad Veidt and is persuaded to bump off her husband.
This is one of the films turned up by the BFI's Missing Believed Lost search, and only exists with Czech subtitles.
Script adapt.: H. Fowler Mear. (o.a. Robert Hichens)
Director: Robert Milton
Players: Cedric Hardwicke, John Stuart, Michael Shepley, Jeanne Stuart, Rodney Millington
Alastair Sim gives British cinema's classic drag performance as headmistress of the world's worst girls' school. Ronald Searle's cartoons are brought triumphantly to life by Launder and Gilliat.
Script: Frank Launder, Sidney Gilliat, Val Valentine
Director: Frank Launder
Players: George Cole, Joyce Grenfell, Hermione Baddeley, Betty Ann Davies, Beryl Reid, Renee Houston, Irene Handl, Joan Sims, Guy Middleton, Sidney James, Richard Wattis, Arthur Howard, Eric Pohlmann, Andree Melly, Belinda Lee, Jerry Verno, Diana Day, Michael Ripper
Auxiliary firemen fight the blitz. Authentic-seeming look at an iconic period of 20th century British history. Casting stars such as Tommy Trinder and James Mason slightly lessens the impact, particularly when compared with Fires Were Started.
Script adapt.: Roger Macdougall. (o.a. Stephen Black)
Director: Basil Dearden
Players: Mervyn Johns, Philip Friend, Finlay Currie, Philippa Hiatt, Billy Hartnell, Meriel Forbes, Beatrice Varley, Muriel George, Norman Pierce, Lesley Brook, Julien Vedey, Richard George, Victor Weske, Leslie Harcourt, Frederick Culley, Stanley Lathbury, Johnnie Schofield, Leslie Dwyer, Alfie Bass, Sydney Tafler, Patricia Dainton
The war years are the glory period for British cinema. Though production slumped due to war-time restrictions, the quality soared. Every inch of celluloid was a precious commodity and film-makers made every frame count. Classic after classic was made - but not every film made during the war was a classic. The Big Blockade is definitely not a classic.
The Big Blockade was made at the behest of the Ministry for Economic Warfare. It was designed to illustrate how Britain was isolating Germany and hampering their war effort. It's part lecture, part docu-drama, part jolly comedy, but as a whole it just doesn't work.
The whole film feels like an exercise in whistling in the dark. It reminds one of that old newspaper headline "Fog in Channel - Continent Isolated". There are many scenes telling the audience how much the German people were suffering from the blockade - far worse than the rationing Brits were enduring. Really. Honest. Would we lie to you?
This was a message the country needed to hear, and so loads of stars were enlisted to make this a must-see movie. There was plenty of official co-operation too, with appearances by such worthies as Hugh Dalton and David Bowes-Lyon. It's this cast list that forms the main appeal for modern audiences too, but it's poor compensation for a dull shapeless film.
Will Hay appears as a ship's captain in what is his only non-comic role. He and Bernard Miles defend their ship from an enemy plane while discussing the merits of the new system for licensing ships. It's a way of brightening up a tedious subject, but it really doesn't succeed. It does however illustrate a certain breezy British attitude to adversity.
The film's highlight is the bombing raid on a German factory. Michael Rennie, John Mills and a few other British stalwarts get the job done despite getting hit. It's not a bad sequence, but it's been done many, many times since and frequently better.
Audiences at the time lapped it up, but it doesn't really work these days. There's a certain novelty value in seeing the likes of Robert Morley and Thora Hird Hiel Hitlering. She's a stroppy railway cafe waitress and far closer to her current acting persona than the chipper lass she did in Went The Day Well.
Ultimately The Big Blockade feels like a rehearsal for all the classics to come. The cheapness of the production makes the whole thing feel paper-thin. It feels as authentic as the ersatz rubber the bombed factory was producing.
Script adapt: Angus Macphail, Charles Frend
Director: Charles Frend
Players: Leslie Banks, Michael Redgrave, Frank Cellier, Alfred Drayton, Marius Goring, Austin Trevor, Morland Graham, Albert Lieven, John Stuart, Joss Ambler, Michael Wilding, David Evans, George Woodbridge, Leif Konow, Peter de Greff, Cyril Chamberlain, Percy Walsh, George Merritt, Bernard Rebel, Charles Minor, Lawrence Kingston, Quentin Reynolds, James Knight, Griffith Jones, Stewart Rome, Elliot Mason, Frank Owen
Paul Robeson and Elisabeth Welch are re-united in this tale of the Marseilles waterfront. Joe (Robeson) helps find a kidnapped boy but when he does the boy threatens to say Joe kidnapped him if he tells. The plot isn't up to much but it's the chemistry between the stars and the singing that counts. Robeson gets several rousing songs, but Welch gets the best one: One Kiss.
Script adapt.: Fenn Sherrie, Ingram d'Abbes. (o.a. Claude McKay)
Director: James Elder Wills
Players: Eldon Grant, James Hayter, Marcelle Rogez, Roy Emerton, Joyce Kennedy, Eric Cowley, Lawrence Brown, Margaret Rutherford (uncredited)
A family of crooks are shamed by the incompetence of their son: Ian Carmichael.
Script: John Baines, Patrick Campbell
Director: John Paddy Carstairs
Players: Belinda Lee, Kathleen Harrison, James Hayter, Jill Ireland, Robert Helpmann, George Coulouris, Renee Houston, Michael Brennan, Leslie Phillips, Harold Berens, Digby Wolfe, Hugh Morton, Ferdy Mayne, Michael Balfour, Desmond Jeans
Tony Britton tries to get a watch through customs but gets caught. Oh, the disgrace! What was once a gripping examination of contemporary morality now seems hopelessly quaint.
Script: Jack Whittingham
Director: Pat Jackson
Players: Sylvia Syms, Geoffrey Keen, Jack Watling, Walter Fitzgerald, Howard Marion Crawford, Lockwood West, Harry Fowler, John Welsh, Ian Bannen, Thorley Walters, Malcolm Keen, Frederick Piper, Cyril Luckham, Ernest Clark